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D. Amy-Rose Forbes-EricksonBio.jpg

D. Amy-Rose Forbes-Erickson

Peer Reviewed Publications: Academic Papers

Forbes-Erickson, D. A-R. “The Running ‘Black Man’: An Afro-Dystopian Praxis in Directing Jackie Sibblies Drury’s  We are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915,” the Black Theatre Review (tBTR), Vol. 2, Issue 1, 2023, pp. 23-55.

DOI: https://doi.org/10.2458/tbtr.5552 

Forbes-Erickson, D. A-R. “Performance ‘Art’ - Dismantling Structural Racism in Colonial Monuments.” Nakan: A Journal of Cultural Studies, 2022. https://nakanjournal.com/performance-art-dismantling-structural-racism-in-colonial-monuments/ 

Forbes-Erickson, D. A-R. ““Balls at Kingston to the ‘Brown Girls’,”1: A Palimpsest for Bleached Brown Skins in Jamaican Dancehall.” Anthurium A Caribbean Studies Journal, vol. 17, no. 1, 2021, p. 9. DOI: http://doi.org/10.33596/anth.368 

Forbes-Erickson, D. Amy-Rose. “Theatre Practice-as-Research in Staging Black Feminist​ (Re)Memorials in Pan-African Plays: ‘Vejigantes’ by Francisco Arriví and ‘The Purple Flower’ by Marita Bonner.​​” Theatre/Practice: The Online Journal of the Practice/Production Symposium​ of the Mid America Theatre Conference​. Vol. 8. 2019. Theatre Practice-as-Research in Staging Black Feminist (Re)Memorials in Pan-African Plays

Forbes-Erickson, Denise Amy-Rose. “Sexuality in Caribbean Performance: Homoeroticism and the​ African Body in Trinidad.” Africans and the Politics of Popular Culture. Ed. Toyin Falola and Augustine Agwuele. New York and Suffolk: University of Rochester Press, 2009. 237-260. Sexuality in Caribbean Performance: Homoeroticism and the African Body in Trinidad 

Book Review:

Forbes-Erickson, D. A-R. “Sampling and Remixing Blackness in Hip-Hop Theatre and Performance by Nicole Hodges-Persley.” 37 (1) 95-96 Sept. 2022. DOI: 10.1353/dtc.2022.0020 

Theatre Directing (Selected)

October 2023

Director, by Suzan-Lori Parks, Department of Theatre and Film, Bowling Green State University, October 19-28, 2023.

April 2023

Director, “A Dramatic Reading by The Pan-African Theatre Ensemble,” Toledo Museum of Art (GlasSalon), Saturday, April 15, 2023.

September 2022

Director, “The Pan-African Theatre Presents …” Elsewhere Production Season 2022-2023, Dept. of Theatre and Film, Bowling Green State University, Sept. 9, 10, 2022.

May 2022

Director, Twilight: Los Angeles, 1992 by Anna Deavere Smith, Black Swamp Players (BSP), Bowling Green, Ohio, May 25-28, 2022.

April 2021

Director, We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884–1915 by Jackie Sibblies Drury, virtual production, Department of Theatre and Dance, California State University, Sacramento, opening and streaming online – on demand, April 21-25, 2021.

March 2020

Director, “​Griot Ballads” (Parts I-IV), devised production and films, a Scholarly and Creative Activity Award for community performances at the Sojourner Truth African Heritage Museum on March 20, 2020. Created filmed performances -  ​Griot Ballads (Part I),Griot Ballads (Part II)​, ​Griot Ballads (Part III)​, ​Griot Ballads (Part IV)​.  Performance at the Fringe Theatre Festival, Edinburgh, Scotland, Summer 2020 (Postponed to August 2022 and canceled – Due to COVID-19). 

April 2019

  • ​ – Workshop and Performances in the African Community Theatre (ACT) Solo Performance Festival – Special Guest, solo performer, poet, playwright, Dr. Mary Weems. African Community Theatre, Kent State University, April 2019.

 

March 2019

Artistic Director ​– ​"Digital Masks to Africa" ​– a devised performance of Cheikh Anta Diop: A Poem for the Living by Mwatabu Okantah. African Community Theatre, Kent State University, March 7, 2019.

 

November 2018

Artistic Director ​– ​An Echo in the Bone​ by Dennis Scott – the Pan-African Theatre Ensemble, African Community Theatre, Kent State University, Kent, Ohio. Thursday, November 15, 2018.

April 2018

Festival Coordinator ​– ​New Black Plays –​ Invitational calling playwrights, theatre artists, and enthusiasts to write and produce new plays about the Black experience - During the Pan-African Festival and Conference, Dept. of Pan-African Studies, Kent State University, Kent, Ohio. April 12-15, 2018.

 

March 2018

Artistic Director​, ​The Purple Flower​ by Marita O. Bonner – the Pan-African Theatre Ensemble, African Community Theatre, Kent State University, Kent, Ohio. Thursday-Saturday, March 8, 9, 10, 2018 at 8pm and Sunday, March 11, 2018 at 2pm.

 

November 2018

Artistic Director - ​Vejigantes​ (Devil Mask) by Francisco Arrivί - the Pan-African Theatre Ensemble, African Community Theatre, Kent State University. Kent, Ohio. Thursday-Saturday, November 16, 17, 18, 2018 at 8pm, and Sunday, November 19, 2018 at 2pm.

 

April 2017

Artistic Director, ​Tahinta!: A Rhythm Play for Children​ by Efua Sutherland, The Pan-African Theatre Ensemble and the Kent State University African Theatre Ensemble, Virginia Hamilton Conference, Kent State University, Kent, Ohio. April 2017.

 

March 2017

Artistic Director –​ Suzan-Lori Parks’s ​Venus​. Performed by the Pan-African Theatre Ensemble, The African Community Theatre, Department of Pan-African Studies, Kent State University, Kent, Ohio. March 2017.

 

December 2016

Artistic Director –​ Efua Sutherland’s ​Tahinta!: A Rhythm Play for Children​. Performed by the Pan-African Theatre Ensemble in collaboration with the Kent State African Ensemble and Musical Director Professor Janine Tiffe, In-the-round, The African Community Theatre, Department of Pan-African Studies, Kent State University, Kent, Ohio. December 9, 2016.

 

November 2016

Artistic Director – ​Wole Soyinka’s ​The Bacchae of Euripides: A Communion Rite​ (1957), performed by The Pan-African Theatre Ensemble, Musical Director Darryl Lewis – Proscenium Arch, The African Community Theatre, Department of Pan-African Studies Kent State University, Kent, Ohio, November 2016.

About

"...a world of international experience."​

D. Amy-Rose Forbes-Erickson is a Caribbean American scholar born and raised in Jamaica. She is an Assistant Professor of Theatre and Performance Studies in the Department of Theatre and Film, Bowling Green  State University. Her research has been published in areas of African, African American, Latin American, and Caribbean theatres and performances. Her research focusses on race, gender, coloniality/decoloniality, Black feminisms, and sacred queer spaces in masquerades. Her book (in progress), Caribbean Masquerades as Palimpsests: A Chronological Survey from the 16th Century to the early 21st Century (Edwin Mellen Press), traces the emergence of masquerade figures in carnivals, balls, and parades from the point of contact between European conquest, and Indigenous and African peoples in the Caribbean from the 16th century to the early 21st century. Her 2nd book project, A Sacred Queer Treatise on Masquerade Devils in Caribbean Dramatic Literature, Mid-20th century to the 1970s analyzes post-colonial dramatic literature derived from masquerade devils in carnivals and folk life in Puerto Rico, Jamaica, and Trinidad and Tobago. Other projects include performance historiographies on popular Caribbean women’s masquerades of La Mulata, Dougla, and Ship-yit-(t)diam in Jamaica, and Trinidad and Tobago.

 

Dr. Forbes-Erickson has presented scholarly papers at national conferences at the Association for Theatre in Higher Education (ATHE), Mid-America Theatre Conference (MATC), the Black Theatre Network (BTN), the Africa Conference (UT Austin), and the Comparative Drama Conference (CDC) in the USA; and at international conferences at the International Federation for Theatre Research (IFTR) in Ghana, Caribbean Studies Association (CSA) in Brazil and Trinidad and Tobago, and the British Forum for Ethnomusicology Annual Conference in Winchester, England.

Working from a Black feminist practice in cultural activism, her artistic work includes directing and theatre design. She is the founder/artistic director of the Pan-African Theatre Ensemble dedicated to Black theatres in the African continuum. Selected directed plays include Suzan-Lori Parks’s Venus, Wole Soyinka’s The Bacchae of Euripides: A Communion Rite, Francisco Arriví’s Vejigantes, Dennis Scott’s An Echo in the Bone, and a devised production, based on Mwatabu Okantah’s epic poem Cheikh Anta Diop: Poem for the Living called “Digital Masks to Africa” that traveled to the international Fringe Theatre Festival, Edinburgh, Scotland during Summer 2019. Recent directed productions include California State University, Sacramento’s production of Jackie Sibblies Drury’s We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915 in April, 2021, and Anna Deavere Smith’s Twilight, Los Angeles, 1992, a Black Swamp Players production in May 2022 in Bowling Green, Ohio.

 

Dr. Forbes-Erickson has taught at Kent State University and California State University, Sacramento before joining the faculty in the Department of Theatre and Film at Bowling Green State University.

 

Education

PhD, Theatre: Performance as Public Practice, University of Texas at Austin, Texas, USA, 2013

Doctoral Portfolio in African and African American Studies, specializing in the African Diaspora (Africa, African American, Latin American and the Caribbean) performances

 

MA, Theatre, University of Kentucky, Lexington, Kentucky, USA, 2006

BA (Hons), Theatre Design, University of London - Central Saint Martins College of Art and Design, London, England, 1999

Diploma, Sculpture, Edna Manley College of the Visual and Performing Arts, Kingston, Jamaica, 1990

 

Professional Memberships

African Theatre Association (AfTA)

International Federation for Theatre Research (IFTR)

Caribbean Studies Association (CSA)

American Association of University Women (AAUW)

Association for the Study of the Worldwide African Diaspora (ASWAD)

2nd Bio

D. Amy-Rose Forbes-Erickson (Denise Forbes) is a theatre director, sculptor, designer, scholar. Dr. Forbes-Erickson is the founder and Artistic Director of the Pan-African Theatre Ensemble started at Kent State University. She is currently an Assistant Professor of African American Theatre and Dramatic Literature, Department of Theatre and Dance, California State University, Sacramento, USA. Her expertise is in Pan-African theatres, including African American, Caribbean, and African theatres and performances. Dr. Forbes-Erickson received a doctorate in Theatre: Performance as Public Practice with a Doctoral Portfolio in African and African American Studies from the University of Texas at Austin, December 2013. She holds a MA in Theatre from the University of Kentucky, Lexington, 2006; a BA (Hons) degree in Theatre Design from Central Saint Martins College of Art and Design in London, England, 1999; and a Diploma in Sculpture from the Edna Manley College of the Visual and Performing Arts in Kingston, Jamaica, 1990.

Dr. Forbes-Erickson has worked across various disciplines in the visual arts and theatre practice, and has exhibited and/or designed for theatre in England, the Czech Republic, Canada, the Caribbean, and the United States. She has designed for ProArts Collective, the premier African American Theatre Company in Austin, Texas; Theatre Centre Company in London, England, and the acclaimed Little Theatre Movement National Pantomime Company of Jamaica. In sculpture, her media are welded steel and mixed media in mostly expressive skeletal figures with themes on freedom from the strictures of gravity; and on odysseys, journeys and the metaphysical world. She has exhibited in numerous exhibitions in Jamaica and England, and public commissions. Selected designed productions include ‘Biyi Bandele’s "Oronooko," Wole Soyinka’s "Death and The King’s Horseman," Derek Walcott’s "Dream on Monkey Mountain," and Sophocles's "Oedipus The King." She has directed and designed academic theatre in Kingston, Jamaica, Austin, Texas, Lexington, Kentucky, Kent, Ohio, , and London, England.

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